Alright, let’s break this down. You've got a beautiful Fender Jazzmaster and a Twin Reverb—classic choices, but with four reverb pedals, I can’t help but wonder what song you think you're serving here. The Big Muff is a great fuzz, but when it’s fighting for attention against all that reverb, it feels more like you're drowning in effects rather than crafting a song. A little less gear maximalism could go a long way; maybe simplify to one good reverb that complements your sound instead of creating a sonic swamp.